in the recording of A.V. Anokhin
The paper is devoted to identifying the compositional and semantic features of the shamanic text recorded by A. V.
Anokhin in 1910 from the Tuba shaman Balandi. The analysis showed the text to consistently reflect all the ritual
actions characteristic of the shaman rite. The main actions are invoking deities and host spirits, sacrifices to deities
and master spirits of the Middle World, and sprinkling of the Ot-Ene, home spirit of fire. The ceremony had a family
and household character, with the main purpose being to ask for grace for one family. The cult of mountains, worship of the deities and spirits of the Middle World reflected in the rite (Altai-Kudai ‘Altai-God’, Jayik ‘Dyayik (Idol
Creator)’, Ot-Ene ‘Fire-Mother’) indicate the involvement of the performer of this ritual text in the South Altai tradition of shamanism. The appeal to the deity Altai-Kudai testifies to the fact that already at the beginning of the twen-
tieth century, the Altaians formed a monotheistic image of a single deity. The key mythologeme in the text is the
shaman’s journey to the top of the ridge inhabited by the deity Altai-Kudai who gives grace, happiness, and prosperity to the souls of cattle and children. The analyzed shamanic text is distinguished by a high solemn style. The poetic
form of the shamanic text provides maximum expressiveness and ultimate emotional and semantic richness. Its syllabic structure varies from seven to twelve syllables. The ritual structure consists of three-day actions with sacrifice
to the spirits-masters of the sacred mountains.
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in the recording of A.V. Anokhin // Языки и фольклор коренных народов Сибири. 2021. № 1. Pp. 71–78. DOI: 10.25205/2312-6337-2021-1-71-78.